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・ Martin van Pernis
・ Martin van Rijn
・ Martin Vander Weyer
・ Martin Vaniak
・ Martin Vargic
・ Martin Vari
・ Martin Varner
・ Martin Vasilev
・ Martin Vaughan
・ Martin Vavák
・ Martin Vaïsse
・ Martin Veiga
・ Martin Veillette
・ Martin Velits
・ Martin Velkovski
Martin Velíšek
・ Martin Venix
・ Martin Verkerk
・ Martin Verner
・ Martin Vernon
・ Martin Vetterli
・ Martin Vickers
・ Martin Vickerton
・ Martin Vidnovic
・ Martin Viessmann
・ Martin Viiask
・ Martin Villa (PAT station)
・ Martin Villeneuve
・ Martin Vingaard
・ Martin Vinnicombe


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Martin Velíšek : ウィキペディア英語版
Martin Velíšek

Martin Velíšek (Duchcov, Czechoslovakia, October 21, 1963) is a popular Czech artist whose work spans the media of glass and canvas, animated film, album covers, book covers, restaurant menus, napkin packaging, TV packaging, photography, sculpture, and interiors.
Academically, Velíšek’s work is commonly referred as grotesque, gothic, or absurdist. Velíšek himself avows a self-conceived school of "Parealism", and indeed the peculiarity of his artistic style eludes easy definition.
== Life and work ==

Martin Velíšek graduated from the School of Industrial Art in Kamenický Šenov in 1983 and then from the glass-working department of the College of Industrial Art, Prague in 1989. While his exhibitions drew attention even in communist-era Czechoslovakia, it was his association with the popular avant-punk band Už Jsme Doma (where he holds the honorary title of “court painter“) in the 1990s that brought him broad public acclaim. Other wide-ranging projects in that decade contributed to making his work widely recognisable: award-winning book covers like for the Czech classic ''The Grandmother'' by Božena Němcová, his contribution to Aurel Klimt‘s animated film version of Jan Werich’s ''Fimfárum'', and his embellishment of Prague-Žižkov’s famed tavern “At the Shot Out Eye” (U vystřelenýho oka), where his conceptions adorn everything from the tables to the head-rests he invented for the urinals.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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